“Ohlsson beautifully acknowledged the second movement’s lyricism and, in the bravura final movement, gave stature to the music without overselling it.” The Inquirer “Saturday’s soloist was Garrick Ohlsson. He attacked the score’s towering technical demands with unflappable aplomb and invested his dazzling digital display with structural integrity and melting lyricism…

“An encyclopedic knowledge of the piano repertoire probably helps. Over his decades-long career, Ohlsson has made his name foremost as an interpreter of Chopin (to date, he’s the only American to win the gold medal at Warsaw’s International Chopin Piano Competition), but his repertoire spans the Classical period to the present day, with some unusual highlights, such as Busoni’s…

Following “Tao,” the orchestra was joined by the brilliant pianist Garrick Ohlsson for Rachmaninoff’s Rhapsody on a Theme of Paganini, a vigorous, crisp and clear performance without a trace of Romantic excess. New York Times “The wonderful American pianist Garrick Ohlsson was the soloist for the Rachmaninov, a big bear of a man with a Horowitz-like heft to his playing. He had an…

Charlotte Observer “Every note of the concerto sounded fresh and new – until we slid into the familiar final movement with hardly a pause. Everyone onstage lit into it with gusto, the swift finger work at the start of this Rondo presenting no difficulty at all for Ohlsson, who proved that he was holding his full power in reserve for this celebratory climax. Ebb and flow weren’t so much…

For an encore, Ohlsson definitely added to the evening’s theme with a performance of Rachmaninoff’s well-worn C-sharp minor Prelude that was, in its dynamic range and expressive weight, fully heroic. The Baltimore Sun