Since his triumph as winner of the 1970 Chopin International Piano Competition, Garrick Ohlsson has established himself worldwide as a musician of magisterial interpretive and technical prowess.
Although long regarded as one of the world’s leading exponents of the music of Frédéric Chopin, Mr. Ohlsson commands an enormous repertoire, which ranges over the entire piano literature. A student of the late Claudio Arrau, Mr. Ohlsson has come to be noted for his masterly performances of the works of Mozart, Beethoven and Schubert, as well as the Romantic repertoire. To date he has at his command more than 80 concertos, ranging from Haydn and Mozart to works of the 21st century, many commissioned for him.
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REFERENCE RECORDINGS is proud to present The Complete Beethoven Piano Concertos played by Grammy®-winning Garrick Ohlsson, performing with the Grand Teton Music Festival Orchestra, conducted by Sir Donald Runnicles. This album was recorded during live Festival performances in July 2022. A student of the late Claudio Arrau, Ohlsson is especially noted for his masterly performances of the works of…
On April 28 and 29, Mr. Ohlsson returns to join the Minnesota Orchestra and conductor Juanjo Mena for Beethoven’s First Piano Concerto in a program that will also feature a solemn memorial and Bruckner’s sonorous Sixth Symphony. Mr. Ohlsson first appeared with the orchestra in 1971. The concert will begin with Philip Herbert’s Elegy, a poignant tribute to the late Stephen…
This month, Garrick Ohlsson joins the BBC Philharmonic and renowned conductor John Storgårds for a thrilling concert experience featuring Sibelius’s Lemminkäinen Suite, inspired by the epic poem Kalevala, and Rachmaninov’s Piano Concerto No. 3, one of the most challenging and mesmerizing pieces in the classical repertoire. Storgårds will lead the audience through the Finnish…
Ohlsson played with an intense tenderness, striking the keys with finality but also gently.
Ohlsson played with an intense tenderness, striking the keys with finality but also gently. […] Ohlsson’s lullaby encore, the second movement to Beethoven’s “Pathetique” piano sonata, was a fitting end to a long-needed reunion. The Atlanta Journal-Constitution
Ohlsson is justly acclaimed as a titanic force at the keyboard.
“Ohlsson is justly acclaimed as a titanic force at the keyboard. At moments over the years, listeners have practically needed seatbelts. On this occasion, however, he was a subtle presence, a weaver of gossamer musical fabrics and a wellspring of humble and seemingly effortless virtuosity. He approached the concerto not as a solo showpiece but rather as an outsized work of chamber music. At…
