“Ohlsson made a deft, light-fingered case for the piece, which wastes no time getting into some dense pianistic material. The second movement came across as especially comforting: Ohlsson opened delicately with an extended solo before being gently joined by bassoonist Catherine Van Handel. The outer movements emphasized the pianist’s agility while retaining his elegant economy of movement.”

Cleveland.com

Photo: Human Artist Photography + Cinema